"Pomegranate with Brie," 8x10. Oil on Masonite Panel.
This painting was much more difficult than I anticipated. What drew me to the subject was the glorious half of a pomegranate of course. I did this as a Direct Alla Prima painting so the wet in wet mixing appealed to me since I thought it would be a quick project. The plate cause the most frequent issues but was a great learning tool for me. I had to re-paint most of it on the second session to correct the plate issues so then my initial spot on and spontaneous lively painting of the brie and pomegranate were unfortunately lost. Nevertheless, I am satisfied with the painting. I also learned that still life set up is definitely a learned skill that I am determined to master. My palette for this was Holbein Lead White, Gambline Titanium White, Vasari Dutch Yellow, Gamblin Cad Yellow Light, Utrecht Cad Red Light, Williamsburg Alizarin Crimson, Williamsburg Quinacridone Red, Williamsburg Quinacridone Magenta, Rembrandt Viridian, Williamsburg Ultramarine Blue. My support was a gessoed Masonite panel prepared with mid-toned Grey Gess sanded lightly.
This painting was much more difficult than I anticipated. What drew me to the subject was the glorious half of a pomegranate of course. I did this as a Direct Alla Prima painting so the wet in wet mixing appealed to me since I thought it would be a quick project. The plate cause the most frequent issues but was a great learning tool for me. I had to re-paint most of it on the second session to correct the plate issues so then my initial spot on and spontaneous lively painting of the brie and pomegranate were unfortunately lost. Nevertheless, I am satisfied with the painting. I also learned that still life set up is definitely a learned skill that I am determined to master. My palette for this was Holbein Lead White, Gambline Titanium White, Vasari Dutch Yellow, Gamblin Cad Yellow Light, Utrecht Cad Red Light, Williamsburg Alizarin Crimson, Williamsburg Quinacridone Red, Williamsburg Quinacridone Magenta, Rembrandt Viridian, Williamsburg Ultramarine Blue. My support was a gessoed Masonite panel prepared with mid-toned Grey Gess sanded lightly.
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